Un ballo in maschera
Giuseppe Verdi
UN BALLO IN MASCHERA
Opera in three parts, in three acts, in Italian, with Hungarian, English, and Italian subtitles
Buy tickets
Program
Nincs aktuális előadás
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Saturday, August 17 2024 7:00PM
The subject of this work sparked Verdi's fiercest battle with the censor of Naples and, later on, of Rome. The original libretto treated an actual historical event: the 1792 regicide of a Swedish king. However, this proved too delicate a matter given the political situation of the day, and so in order to curry favour with the censor, the king was converted into an earl and the plot transplanted from Europe to the English North American colonies. After a few more minor alterations, the Roman censor allowed the staging of the work, which when the layer of political assassination is peeled away the plot, reveals a love story. Apart from the political discontent, the real stakes are over a marriage in need of saving. Lurking in the story's background are visceral emotions of unrequited love and blind jealousy that move the plot along.
Un ballo in maschera is presented as part of the Opera's repertoire – in accordance with the composer's original intention – as the story of the Swedish king Gustavo III in a production created by the young Italian director and competition-winner Fabio Ceresa.
AUTHORS
Libretto after the work by Eugène Scribe................................................ Antonio Somma
Libretto after the work by Eugène Scribe................................................ Antonio Somma
Director.................................................................................................... Fabio Ceresa
Set designer............................................................................................. Tiziano Santi
Costume designer................................................................................... Giuseppe Palella
Movement director................................................................................... Mattia Agatiello
Lighting designer...................................................................................... Ferenc Stadler
Dramaturg, Hungarian subtitles............................................................... Eszter Orbán
English subtitles....................................................................................... Arthur Roger Crane
Chorus director......................................................................................... Gábor Csiki
CAST
Synopsis
Conductor......................................................................................... Zsolt Jankó
Gustavo, king of Sweden.................................................................. Boldizsár László
Renato Anckarström......................................................................... Michele Kalmandy
Amelia, wife of Renato...................................................................... Zsuzsanna Ádám
Ulrica................................................................................................. Bernadett Wiedemann
Oscar................................................................................................. Zita Szemere
Count Horn........................................................................................ András Palerdi
Count Ribbing.................................................................................... István Kovács
Christiano / Sailor............................................................................... Máté Fülep
Judge / Amelia’s servant.................................................................... Lőrinc Kósa
Synopsis
Act 1
Scene one
Both supporters and opponents of King Gustavo (Gustav III) of Sweden are gathering for the morning royal audience. Oscar, the king's page, hands over to his master a paper listing the guests for a masked ball. Gustavo discovers that the list includes Amelia, the woman with whom he is secretly love, even though she is the wife of his loyal old friend, Renato, the count of Anckarström. When Renato enters, Gustavo suddenly gets the feeling that his secret has been discovered, but Renato has no inkling of his lord's feelings. He has come in order to warn the king that there is a conspiracy afoot against him. Gustavo is so relieved that he does not even want to know who the conspirators are. The chief judge hands the king a writ calling for the banishment of the fortune-teller Ulrica Arvedon. After Oscar comes to the woman's defence, Gustavo decides to pay a visit to Ulrica in disguise.
Scene two
Surrounded by women, Ulrica invokes Lucifer; Gustavo, dressed as a fisherman, blends into the audience. A sailor named Christiano pushes his way to the front of the crowd to have Ulrica tell his future: after 15 years, he has not received the recognition he deserves. Ulrica reads Christiano's palm and finds that he will soon be promoted and become rich. Gustavo secretly places a few gold coins and a letter of promotion into the sailor's pocket. Ulrica's prophecy has immediately proved accurate.
Through her servant, Amelia asks Ulrica for a private consultation. The seer sends off her visitors; only Gustavo, having hidden himself, is left to listen in as Ulrica speaks with the despairing woman. Amelia wants the seer to use her magical powers to help her overcome her love for the king. The magic substance that Ulrica recommends is a plant that grows in an abandoned field outside the city, and which must be picked at midnight.
After Amelia departs, Gustavo also wishes to hear his fortune. Ulrica foresees his impending death: whichever friend of his extends his hand to him first will turn out to be his murderer. When the completely unsuspecting Renato enters and greets his lord with a handshake before addressing him by name, nobody believes that Ulrica's prediction will come true. With Gustavo's true identity now revealed, Christiano gathers the people together to greet their king with proper respect.
Act 2
After conquering her fear, Amelia arrives at the field. Gustavo has followed her in secret, and he two now confess their love for each other. Suddenly Renato arrives to warn his friend that his life is in danger. Gustavo asks him to accompany the veiled - and thus unrecognised by her husband - Amelia back to the city.
The conspirators intercept Renato and provoke him into drawing his sword. Amelia's veil falls off, revealing her identity. In his deep distress, Renato decides to exact vengeance on the king and asks the conspirators to his house the next day.
Act 3
Scene one
Believing that Gustavo and Amelia have betrayed him and deaf to his wife's attempt to convince him of her innocence, Renato resolves to kill her. Amelia prepares to die, but first asks her husband to let her see their son one last time. Renato realises that it is really Gustavo on whom he must take revenge.
The conspirators - the counts Horn and Ribbing - arrive at Renato's house, where their host informs them that he too wishes to join them. However, as each of them would like to be the one to deliver the fatal stab, Renato asks te unsuspecting Amelia to draw the name of the murderer from a pot - and he himself is the one selected. Oscar arrives to deliver the invitations to the masked ball. The conspirators decide to carry out their plan during the festivities.
Scene two
Gustavo decides to give up on his love for Amelia. Oscar hands the king an anonymus letter warning him that somebody intends to kill him during the ball. Gustavo resolves to attend the ball anyway, so that nobody can accuse him of cowardice.
At the masked ball, Renato elicits from Oscar what costume the king will be wearing. The amorous couple say farewell to each other. Anckarström kills the king. With his last remaining strength, Gustavo assures his friend of his wife's innocence and forgives his enemies
Our offer
Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.
Eternally youthful even at 80, Géza Bereményi is one of the most colourful personalities on Hungary’s contemporary literary and cultural scene. A first-rate novelist and the director of now-classic films, Bereményi has also, and not least of all, proved to be a unique songwriter and lyricist with an unlimited font of inspiration and a personal stage presence that is an experience in itself.
At every stage in his career, Nikolas Takács has consistently delivered an exciting combination of unique musical inspiration and independent artistic exploration. Born into a musical family in Galanta (now Slovakia) in 1986, he won his first talent contest at the age of ten. This was followed by formal music training and a long succession of solo concerts. His style, which fearlessly blends jazz, soul and pop, firmly positions him as one of the most multifaceted performers in Hungarian popular music today.
Suggestions
Hungarian National Dance Ensemble: The Dawn of Heroes - Dance Chronicle of the Life of György Dózsa // Requiem for Mohács Szép
MüpaHistorical turning points, shared memories and the power of the stage: The Dawn of Heroes recalls the fateful moments of…
Hiperkarma frontman Róbert Bérczesi exploded onto the Hungarian alternative scene in the early ’00s, when his unique and sincere lyrics…
Harmadik alkalommal érkezik a Müpába az orgonajátékával a közönség elragadtatását mindannyiszor kiváltó Wayne Marshall.
Warning! The basket time limit is about to expire!
estimated time left:
00:00
item(s) in basket
total:
Time limit has expired. Please, put item(s) in to basket again.