Now celebrating their tenth year of existence in 2020, Mayberian Sanskülotts have over the past decade expanded their line-up and become one of Hungary's finest contemporary bands. What's more, they have developed a camp of fans outside of Hungary as well, earning them warm welcomes at some of Europe's leading festivals (such as Barcelona's Primavera and Waves Vienna). more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Friday, June 03 2022 8:00PM
Mayberian Sansküllots / HEY, JUNE!
vocals - Zita Csordás
guitar - Gallusz Balogh
guitar - Gergő Dorozsmai
bass guitar - Árpád Szigeti
drums - István Hromkó
keyboards, vocals - Szilvia Várnai
Now celebrating their tenth year of existence in 2020, Mayberian Sanskülotts have over the past decade expanded their line-up and become one of Hungary's finest contemporary bands. What's more, they have developed a camp of fans outside of Hungary as well, earning them warm welcomes at some of Europe's leading festivals (such as Barcelona's Primavera and Waves Vienna). Released in 2019, their fourth album, however, reveals new directions in their characteristically dreamlike - and simultaneously romantic and grandiose - sound.
Mayberian Sanskülotts was founded by the duo of Zita Csordás and Gallusz Balogh in 2010, and even with their early lo-fi home recordings (2011's Aloneinkápmegyer and 2012's PseudoDeath) they stood out with their songs and their ability to create a unique atmosphere crossing weltschmerz with a wonderful measure of spleen. In the past decade, though, they have simply expanded, developed and grown up in every sense. By adding a rhythm section, a keyboardist and another guitarist, the group's membership grew to six, while their sound, which originally evoked the feel of the Hungarian underground, became dreamier and more powerful. Their more recent albums (2016's Adlait and 2019's Neverending Sorry) are characterised by melodies floating between bittersweet romanticism, the grandiosity - collapsing like a glacier - of loudly ethereal shoegaze and the echo effects of contemporary dream pop, with the latter released by the renowned label Tom-Tom Records. Their videos are also impactful (Unreal was named the video of the year), and live they are amazing, performing concerts where the pure personal connection and enhanced sense of spirituality are palpable.
It is always a thrill to reflect on the fact that, even though the vast majority of Richard Wagner's oeuvre consists of his operas and music dramas, and the singers who perform in them on the world's top stages are exceptional artists, the most popular parts of these works, which can also be played independently, are the orchestral sequences.
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
Born in 1982, Dénes Krusovszky enjoyed one of the most successful starts to a career of any Hungarian writer in the 2000s. Today, he has grown into one of the most distinctive and definitive writers not just of his generation, but of contemporary Hungarian literature as a whole.
A Müpa egyik nevezetességét, az orgonát mindenki megcsodálja, aki ellátogat a Bartók Béla Nemzeti Hangversenyterembe. Ezúttal azonban nemcsak a hangszer…
Program: Arias and duets from works by J. Strauss II, Lehár, Stolz, Kálmán, Lincke, Messager and others
Directed by artistic director Bence Vági, Solus Amor employs "cirque danse”, a genre created with and by the company over…
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