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Program


The Pygmalion Effect

The Pygmalion Effect

Boris Eifman / ifj. Johann Strauss
THE PYGMALION EFFECT
Ballet in two acts

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Last event date: Saturday, June 01 2024 11:00AM

This performance is not recommended for chrildren under the age of 12.

In Greek mythology, the unmarried king and sculptor, Pygmalion falls in love with his own work, as his sculpture of a woman turns out to be so perfect and life-like. “This ballet is a choreographed interpretation of the myth of artist and his work, shedding light on how much art and life are interconnected yet distinct from each other. The ballet focuses on a girl living in deprivation, who finds richness and performance perfection in dance, where the elusive lightness of beauty and movement can only be achieved through hard work, while the seemingly attractive life on stage does not save one from being lonely. With the guidance of the famous dancer, the heroine steps onto a path on which changing her body seems to be an entertaining experiment in the beginning, but turns into real drama in the end”, says choreographer Boris Eifman. The tragicomic ballet set for Johann Strauss Jr.’s virtuoso music is first presented by the Hungarian National Ballet in 2023.

AUTHORS
Choreographer: Boris Eifman
Composer: Johann Strauss
Set designer: Zinovy Margolin
Costume designer: Olga Shaishmelashvili
Lighting designer: Alexander Sivaev / Boris Eifman
Répétiteur: Ilia Osipov / Liubov Andreeva / Polina Petrova
Company répétiteurs: Cristina Balaban / István Kohári / Irina Prokofieva / Attila Szakács / György Szirb

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Every year, Müpa’s annual Advent concert offers a moment of contemplation and helps to evoke the holiday spirit amid the busy period of the festive preparations before Christmas. This year’s concert features the world-renowned German-British baritone, Benjamin Appl, as soloist.

This multi-art production draws on the song, dance and literary traditions of Mezőség (Câmpia Transilvaniei), a region in Transylvania with a very exciting and colourful culture. Musically, the show is centred around movements from Mikrokosmos, Béla Bartók’s piano cycle, as well as the melodies from Mezőség that inspired him.

Two masterpieces of late 19th-century French sacred music make up the programme of this concert-hall celebration: Gabriel Fauré’s exquisitely beautiful Requiem and the Clovis Mass by the elderly Charles Gounod. Between the movements of the latter work, the audience will also become acquainted with four further gems from the Gallican tradition of church music, with one composition each by Alexandre Guilmant, Louis Aubert, Camille Saint-Saëns and Théodore Dubois.

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