Bányavirág

Twenty-five years ago, four highly skilled French musicians decided to take the freedom of jazz and the pulsating sound of funk, and shape them into an entirely new concept by exploiting the possibilities offered by electronica. The experiment proved successful, and Electro Deluxe was born in Paris. Later, courtesy of American singer James Copley, the band discovered new vistas to explore.

Formed in New York in 1986, The Klezmatics revolutionised klezmer, the Yiddish instrumental dance music style rooted in Eastern Europe. Now celebrating its fortieth anniversary, the ensemble was one of the first and biggest stars of the genre at the turn of the 1980s and 1990s, around the time when world music was gaining ground as a separate musical category. To this day, the band remains one of the best-known groups on the klezmer scene.

The release of the volume A bilincs a szabadság legyen (‘Let the Shackles Be the Freedom’), a collection of the correspondence between Miklós Mészöly and Alaine Polcz, generated a significant level of interest in the writers’ private lives and literary work that, it is no exaggeration to say, continues to this day. Apart from the strong emotional bonds shared by several literary couples we could mention, it is perhaps the letters of these two authors that reveals the most thought-provoking ideas.