Dühöngő ifjúság

Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.

The release of the volume A bilincs a szabadság legyen (‘Let the Shackles Be the Freedom’), a collection of the correspondence between Miklós Mészöly and Alaine Polcz, generated a significant level of interest in the writers’ private lives and literary work that, it is no exaggeration to say, continues to this day. Apart from the strong emotional bonds shared by several literary couples we could mention, it is perhaps the letters of these two authors that reveals the most thought-provoking ideas.

Hiperkarma frontman Róbert Bérczesi exploded onto the Hungarian alternative scene in the early ’00s, when his unique and sincere lyrics quickly made him a cult figure in the country’s music world. Although the group has disbanded and reformed more than once over the years, it has always retained its unique, lyrical and raw sound, one in which personal struggles and inner journeys play a central role.