EGEREK

After first emerging as a representative of Hungarian bedroom pop in the early 2010s, guitarist/singer/songwriter Noémi Barkóczi moved beyond the world of lo-fi to became a popular performer on stages and at festivals across the country with her increasingly distinctive guitar playing, heartfelt lyrics, and well-developed arrangements.

Formed in New York in 1986, The Klezmatics revolutionised klezmer, the Yiddish instrumental dance music style rooted in Eastern Europe. Now celebrating its fortieth anniversary, the ensemble was one of the first and biggest stars of the genre at the turn of the 1980s and 1990s, around the time when world music was gaining ground as a separate musical category. To this day, the band remains one of the best-known groups on the klezmer scene.

Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.