HAMUPIPŐKE

Two masterpieces of late 19th-century French sacred music make up the programme of this concert-hall celebration: Gabriel Fauré’s exquisitely beautiful Requiem and the Clovis Mass by the elderly Charles Gounod. Between the movements of the latter work, the audience will also become acquainted with four further gems from the Gallican tradition of church music, with one composition each by Alexandre Guilmant, Louis Aubert, Camille Saint-Saëns and Théodore Dubois.

According to critics, the Serbian cellist Petar Pejčić possesses a “captivating gift for storytelling” (Le Soir). His career has soared since he first attracted attention as the youngest finalist of the 2022 Queen Elisabeth Competition, which he followed up with victory at the 2025 YCAT competition in London. He is currently studying with Frans Helmerson at the renowned Kronberg Academy.

What would happen if Sándor Petőfi were to write János Vitéz right here and now, before our very eyes? In this new stage version, the story emerges from a giant laptop, from which the two-dimensional and living characters of the tale come to life to bring the world of Johnny Corncob and Iluska into being through spoken word and song.