Hitgyógyász

Mozart was insatiably in love with life. He embraced everything considered “sinful”: wine, cards, billiards. And his passion extended to musical ornaments: flowery acciaccaturas, trills, cadences others dared not risk, and chromatic runs. But there can be no doubt the main objects of his desire were women. He dedicated several of his masterpieces to one or other of his lovers, who were thus immortalised by these concert and opera arias.

What happens when the heroes of Mozart’s opera are portrayed on stage not by singers, but by finely crafted marionette figures? The Salzburg Marionette Theatre’s production offers a barely one-hour version of this iconic piece from the opera repertoire: while preserving its essential musical and dramatic pillars, it guides the audience through Tamino, Pamina, and Papageno’s adventures in a more accessible, dense form.

“A notable emerging talent,” The Strad wrote of the Swedish violinist, who has triumphed at prestigious competitions such as the Premio Paganini and the Tibor Varga International Violin Competition. Ava Bahari is currently the resident artist of the Gothenburg Symphony Orchestra.