Hoppláda "C"

Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.

According to critics, the Serbian cellist Petar Pejčić possesses a “captivating gift for storytelling” (Le Soir). His career has soared since he first attracted attention as the youngest finalist of the 2022 Queen Elisabeth Competition, which he followed up with victory at the 2025 YCAT competition in London. He is currently studying with Frans Helmerson at the renowned Kronberg Academy.

The release of the volume A bilincs a szabadság legyen (‘Let the Shackles Be the Freedom’), a collection of the correspondence between Miklós Mészöly and Alaine Polcz, generated a significant level of interest in the writers’ private lives and literary work that, it is no exaggeration to say, continues to this day. Apart from the strong emotional bonds shared by several literary couples we could mention, it is perhaps the letters of these two authors that reveals the most thought-provoking ideas.