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Last event date: Sunday, March 09 2025 11:00AM

“Such a wonderful tale. Pongrác Kacsóh followed in the tracks of the poet without wiping off the butterfly wing scale with rough hands; his fantastic, gorgeous music is distinctly different from any operetta we have heard before with its Hungarian motives and genuine folk style”, reports on the 1904 premier of John the Valiant the newspaper called Újság. It might sound incredible, but the title role was played by the great prima donna Sári Fedák. “When I had sung ‘A single rose says it better’, the fate of the work was sealed. Everyone was crying in the audience, and I cried with them.” There was hardly a season since its opera house premier in 1931 when it was not included in the programme. With John the Valiant, the OPERA wishes to honour the 200th anniversary of Sándor Petőfi’s birth in 2023.

AUTHORS
Libretto by: Enikő Perczel | Máté Szabó
Original libretto based on the poem by Sándor Petőfi: Jenő Heltai | Károly Bakonyi
Adapted by: Sándor Palcsó Jr.
Director: Máté Szabó
Set designer: Balázs Horesnyi
Costume designer: Anni Füzér
Animation based on Győző Somogyi's drawings by: Dániel Huszár | Bálint Berkes | Zsombor Czeglédi
Graphic artist: Balázs Illés
Choreographer: Bertalan Vári
Dramaturg: Enikő Perczel
English subtitles: Arthur Roger Crane | Minka Benkő | Andrea Valkai
Head of the Children's Chorus: Nikolett Hajzer
Chorus director: Gábor Csiki
 

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Following the great success of their 2023 concert, the Luxembourg Philharmonic Orchestra returns to Müpa Budapest under the baton of their new music director, Martin Rajna. The thoughtfully assembled programme vividly demonstrates the manner in which this excellent ensemble is entering a new chapter in its history full of dynamism and optimism.

Andonis Foniadakis’ latest choreography, created for Ballet Pécs, explores Baroque themes in a dynamic and deeply expressive way, and from the perspective of contemporary dance and music.

Mozart was insatiably in love with life. He embraced everything considered “sinful”: wine, cards, billiards. And his passion extended to musical ornaments: flowery acciaccaturas, trills, cadences others dared not risk, and chromatic runs. But there can be no doubt the main objects of his desire were women. He dedicated several of his masterpieces to one or other of his lovers, who were thus immortalised by these concert and opera arias.

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