OSCAR

Hiperkarma frontman Róbert Bérczesi exploded onto the Hungarian alternative scene in the early ’00s, when his unique and sincere lyrics quickly made him a cult figure in the country’s music world. Although the group has disbanded and reformed more than once over the years, it has always retained its unique, lyrical and raw sound, one in which personal struggles and inner journeys play a central role.

The evening promises a memorable encounter with one of the most celebrated groups of works in Bach’s oeuvre, as well as an introduction to the leading ensemble of the Japanese historically informed performance movement.

Mozart was insatiably in love with life. He embraced everything considered “sinful”: wine, cards, billiards. And his passion extended to musical ornaments: flowery acciaccaturas, trills, cadences others dared not risk, and chromatic runs. But there can be no doubt the main objects of his desire were women. He dedicated several of his masterpieces to one or other of his lovers, who were thus immortalised by these concert and opera arias.