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„Elérkezett a vége (…), ahonnét nincsen tovább, vagyis van, de az már csak és kizárólag az úgynevezett szomorúlefelé…”

Attendind a performance of Messiah is always a thrilling experience, but it is especially so when Handel’s work – which has become a national classic in England – is performed by a dedicated ensemble like the legendary German flagship of the international early-music scene: the Akademie für Alte Musik Berlin, now with over 44 years of history behind it. The storied chamber orchestra will perform with one of the world’s finest mixed choirs, the RIAS Kammerchor, which also hails from Berlin and was founded in the years immediately following the Second World War.

The release of the volume A bilincs a szabadság legyen (‘Let the Shackles Be the Freedom’), a collection of the correspondence between Miklós Mészöly and Alaine Polcz, generated a significant level of interest in the writers’ private lives and literary work that, it is no exaggeration to say, continues to this day. Apart from the strong emotional bonds shared by several literary couples we could mention, it is perhaps the letters of these two authors that reveals the most thought-provoking ideas.