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Philippe Herreweghe és együttesei: Beethoven-est
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Philippe Herreweghe és együttesei: Beethoven-est

Taking the stage at Müpa Budapest on this evening will be the creative spirit Philippe Herreweghe joined by the world-famous workshops he founded: the Collegium Vocale Gent and the Orchestre des Champs-Elysées.  more

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Last event date: Tuesday, November 26 2024 7:30PM

Beethoven: Piano Concerto No. 4 in G major, Op. 58

Beethoven: Mass in C major, Op. 86

Taking the stage at Müpa Budapest on this evening will be the creative spirit Philippe Herreweghe joined by the world-famous workshops he founded: the Collegium Vocale Gent and the Orchestre des Champs-Elysées. As is well known, his repertoire is not limited strictly to early music: he conducts anything that captures his interest, from Monteverdi and Gesualdo to Stravinsky, and Dvořák. This time around, he will be interpreting the message of Beethoven: with the popular Fourth Piano Concerto in G major featuring Kristian Bezuidenhout, a specialist in early keyboard instruments, and the soloists in the rarely played Mass in C major comprised of an international cast of singers.

Presented by: Müpa Budapest

 

Conductor: Philippe Herreweghe

Featuring:

piano: Kristian Bezuidenhout

soprano: Robin Johannsen

mezzo-soprano: Sophie Harmsen

tenor: Benjamin Hulett

bass: Samuel Hasselhorn

Collegium Vocale Gent

Orchestre des Champs-Elysées

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A band committed to modernising Indian classical music, Araj consists of five young musicians considered in their homeland to be the outstanding performers of their generation. Formed by tabla player Ishaan Ghosh, all members are virtuosos of their instruments (tabla, sitar, bamboo flute, sarangi) and vocal techniques, and their interplay breathes new life into the Indian classical tradition.

This concerto has all the attributes to make it a genuine celebration for the audience.

Tárkány-Kovács Bálint verseit elsősorban a Tárkány Művek lemezeiről ismerhette meg a közönség, ám ezek csupán három évtizednyi költészetének töredékét mutatják föl. Általában megzenésített versekről van szó, itt azonban olyan dalokról, amelyek megmaradtak versnek, mert ének helyett a beszéd maradt elsődleges médiumuk.

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