Richard Strauss and Hugo von Hofmannsthal’s last joint opera, Arabella is a cheerful and poignant farewell to a bygone, peaceful Vienna. It now returns to the MET’s repertoire in Otto Schenk’s 1983 production, following his sad passing this year. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Saturday, November 22 2025 7:00PM
The leading roles are filled by singers who understand and embody the quintessentially Viennese nature of work that is not far from being categorised as an operetta. We welcome familiar faces onto the stage in this production conducted by Nicholas Carter. Rachel Willis-Sørensen has already achieved a memorable triumph at Müpa Budapest, and the same can be said of the tenor Pavol Breslik and the bass baritone Tomasz Konieczny. The latter is a regular performer at the Budapest Wagner Days.
Conductor: Nicholas Carter
Cast:
Arabella.............................. Rachel Willis-Sørensen
Zdenka................................ Louise Alder
Matteo ................................Pavol Breslik
Mandryka........................... Tomasz Konieczny
Waldner ..............................Brindley Sherratt
Creators:
set designer Günther Schneider-Siemssen
costumes Milena Canonero
lighting Gil Wechsler
director Otto Schenk
The broadcast will be sung in the original language, and shown with Hungarian and English subtitles.
The ‘Metropolitan Opera Live in HD’ transmissions have been made possible through the cooperation of our partner, liveincinema.eu s.r.o.
Presented by: Müpa Budapest
Twenty-five years ago, four highly skilled French musicians decided to take the freedom of jazz and the pulsating sound of funk, and shape them into an entirely new concept by exploiting the possibilities offered by electronica. The experiment proved successful, and Electro Deluxe was born in Paris. Later, courtesy of American singer James Copley, the band discovered new vistas to explore.
One thing we know for certain about the 21st century is that it will be when the survivors of the Holocaust take their last breath. Every single one of them. Slowly but surely, they are leaving us to our own devices. “Do we want to forget what happened, as if it were a bad dream, or do we want to accept the events as human civilization’s greatest trauma?” the author Péter Esterházy once asked.
Whether we’re talking textiles or literature, “English” is a hallmark of excellence, and the island nation’s music rightfully deserves similar recognition.
This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable…
Audiences of children are playful, carefree, spontaneous and, in the best sense of the word, uninhibited: this is what attracts…
Just like buildings, pieces of music are constructed from small component parts. From sounds, and from tones, obeying the universal…
item(s) in basket
total:
Time limit has expired. Please, put item(s) in to basket again.
