Rettentő görög vitéz

Two masterpieces of late 19th-century French sacred music make up the programme of this concert-hall celebration: Gabriel Fauré’s exquisitely beautiful Requiem and the Clovis Mass by the elderly Charles Gounod. Between the movements of the latter work, the audience will also become acquainted with four further gems from the Gallican tradition of church music, with one composition each by Alexandre Guilmant, Louis Aubert, Camille Saint-Saëns and Théodore Dubois.

Das Rheingold is the introduction to the storyline, depicting the central conflict. Starting from a primeval state of peace, the opera shows how the original sin was committed, triggering a chain of events that eventually lead to complete annihilation.

It could be that even we ourselves often don’t fully comprehend how many ways the digital age has changed our relationship with music. Nevertheless, there remain themes that simply demand an analogue, more traditional approach. Active since the ’10s, singer-songwriter Gergő Szakács has transitioned over the years from monumental pop sounds to more intimate, live instrumental productions, and this journey will reach its next important milestone at Müpa Budapest.