Sáskák

Hiperkarma frontman Róbert Bérczesi exploded onto the Hungarian alternative scene in the early ’00s, when his unique and sincere lyrics quickly made him a cult figure in the country’s music world. Although the group has disbanded and reformed more than once over the years, it has always retained its unique, lyrical and raw sound, one in which personal struggles and inner journeys play a central role.

Two masterpieces of late 19th-century French sacred music make up the programme of this concert-hall celebration: Gabriel Fauré’s exquisitely beautiful Requiem and the Clovis Mass by the elderly Charles Gounod. Between the movements of the latter work, the audience will also become acquainted with four further gems from the Gallican tradition of church music, with one composition each by Alexandre Guilmant, Louis Aubert, Camille Saint-Saëns and Théodore Dubois.

Mi történik, ha Mozart operájának hőseit nem énekesek, hanem finoman megmunkált marionettfigurák jelenítik meg a színpadon? A Salzburgi Marionettszínház produkciója az operairodalom emblematikus művének alig egyórás változata: miközben a történet legfontosabb zenei és dramaturgiai pilléreit megőrzi, könnyebben követhető, sűrűbb formában vezeti végig a nézőt Tamino, Pamina és Papageno kalandjain.