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Last event date: Monday, October 18 2021 7:00PM
Carmen: Cristina Carnero
Don José: Álvaro Madrid
Toreador: Jairo Rodríguez
Husband: Miguel Ángel Rojas
Featured dancers: Esmeralda Manzanas, María José López, María Nadal, Virginia Guiñales, Raquel Soblechero, Ana del Rey, Ana Pardo, Miguel Lara, Antonio Ortega, Pepe Vento, Santiago Herranz, Ángel Navarro
Featured musicians: Alfredo Tejada, Enrique “Piculabe” Bermúdez, José Aser Giménez – voice, Antonio Solera, Basilio García – guitar
Dramaturgy: Antonio Gades, Carlos Saura (based on Prosper Mérimée’s novella)
Production design: Carlos Saura
Set: Antonio Saura
Costumes: Carmen Sánchez
Lighting: Antonio Gades, Carlos Saura
Light technician: Zaida Domínguez
Sound: Alberto Palanques
Technical director: Dominique You
Artistic director: Stella Arauzo
Choreographer, director: Antonio Gades, Carlos Saura
Carmen, Carlos Saura’s legendary dance film met with a huge, unexpected success internationally. The stage version of the dance adaptation was premiered in Paris in 1983, and it was received as enthusiastically as the productions Blood Wedding and Flamenco Suite had been a few years before.
One of the key ideas to inform the choreography and the directors’ concept is that the heroine, Carmen “is not careless or a man-eater. She is simply an honest woman who is as open about loving someone as she is when she no longer does. A free woman, in other words,” Gades said after the premiere. “She had lofty notions about freedom, and would rather die than lose it. She has always been represented as thoughtless and fateful, whereas there is something essential in Carmen that is far from all these: her self-consciousness and noble-mindedness.”
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Nagyszerű tanáregyéniség, méltatlanul elfeledett remekművek és kortárs kompozíciók ihletett felfedezője, a magyar zenésztársadalom egyik legkedveltebb kiválósága – Prunyi Ilona valamennyi minőségében megérdemli az ünneplést.
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In 2024, Emir Kusturica & The No Smoking Orchestra returned to perform at Müpa Budapest. The night was one big party. Was it what we would call folk punk? Balkan rollicking? Categories are meaningless. Kusturica is very consistent in his use of music in his films. (Sometimes the songs even become hits.)
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